12/6/2023 0 Comments Nelly outfits 2000s![]() I wasn’t even going to clubs like that I was going to, like, warehouse noise shows. If you were partying anywhere that summer, you were hearing “Hot In Herre” five times a night. I’m not sure I can properly convey how omnipresent “Hot In Herre” was in the summer of 2002. “Hot In Herre” is an obvious summer record, and I have to imagine that it was conceived as an obvious summer record. ![]() ![]() To this day, when I think of the Ravens, I think of Ray Lewis doing that dance, and I think of “Hot In Herre.” But when he did the Squirrel Dance to Nelly’s “Hot In Herre,” “Hot In Herre” became his song. He tried doing that dance to a few different songs. Lewis started doing the dance without music, just as a way of firing up the Ravens defense. Talking to ESPN before his induction into the Hall Of Fame, Lewis said that he learned the dance from a friend in his Florida hometown. I’m not sure when Ray Lewis started doing the Squirrel Dance. That statue outside the stadium shows Ray Lewis doing his Squirrel Dance - the brief moment of whip-the-crowd-up exultation that Lewis performed before every home game. (The authorities threw out his charges, due process, etc.) But Baltimore always needs a win, and Ray Lewis gave us two of them. Ray Lewis is a complicated figure, a deeply religious weirdo who may or may not have stabbed two men to death. If you’re from Baltimore, you will inevitably feel a tiny jolt of adrenaline whenever you look at that statue. His left foot is planted, and his right knee points at the sky. His head is thrown back, helmetless, roaring. Outside M&T Bank Stadium in Baltimore, you’ll find a statue of Ray Lewis, the retired Ravens middle linebacker, in a forever-frozen moment of kinetic ecstasy. I’m so shocked at how many people call me about it now.In The Number Ones, I’m reviewing every single #1 single in the history of the Billboard Hot 100, starting with the chart’s beginning, in 1958, and working my way up into the present. “It’s more of a buzz now than it was then. She went nuts, and it was the same with the Chanel.”Īlexander says the present-day response to both wigs is surprising. “With the Versace wig,” Alexander says, “She called me and left this message on my machine that I literally kept for years. “I went to the art store and got trace paper and created the logo, then I cut it out.” And her secret? Black magic marker. “It was such a flow of creative energy, like a power that was coming through.”Īlexander recalls coloring the Chanel wig Lil Kim wore for Manhattan File Magazine late into the night, until 5:00 in the morning. “The inspiration totally comes from and who she is,” says Alexander, the mastermind behind Lil Kim’s Versace wig and equally iconic blue Chanel wig. Monogrammed tresses have popped up on the heads of the rap’s most iconic first ladies, including Nicki Minaj and Cardi B - but similar to countless other signature hip-hop trends, it started with Lil Kim as the blueprint, and hairstylist Dionne Alexander the architect. Lil Kim photographed at the Versace Haute couture show, Spring /Summer 2001 in Paris, France. We didn’t have Instagram, we had to go out and get magazines. “It was very exciting, we were able to be extremely creative and we had to pull it from within. “Look how free we are here,” Alexander says. “I bridged high fashion with urban music,” says Ambrose, “What felt so rebellious was taking a high fashion piece, and still keeping the same demeanor and swag that you wore in your neighborhood.”ĭionne Alexander, the hairstylist behind Lil Kim‘s monogrammed wigs and Mary J. “We took the risk for the future.” The “Rain” designer discussed the role of late ’90s to early ’00s designers as trailblazers, bursting through barriers between high-end labels and R&B/hip-hop culture. “We didn’t have a point of reference that came before us,” explains Ambrose. Blige and Mariah Carey, and currently works as a creative director for Puma. Lee paid homage to fellow stylist June Ambrose for her work with Missy Elliott in further establishing the craze surrounding bedazzled pieces.Īmbrose, who styled over 200 music videos, was Missy’s right-hand woman, costume designing for every major Missy Elliott production including “Get Ur Freak On,” “The Rain (Supa Dupa Fly),” “One Minute Man,” and “Lose Control.” She was a go-to designer for R&B/hip-hop heavyweights including Diddy, Jay-Z, Mary J. “We were flying to Paris and I’d be bedazzling Enyce sweatsuits for Aaliyah,” he explains. Lee recalled his own customizing experiences, adding glitz to streetwear pieces for the late singer. DJ Khaled Hails Jay-Z's Greatness at NYC Shawn Carter Foundation Gala: 'Best Rapper That Ever Did…
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